Blog Archives
Dust
…other people.
They are
The city.
The city is
A person forest.
The city park
Bench
Marks
A person for est.
The city is
An (est)imation
Of
A nation.
People concentrate hard
When not
At parks.
The city washes blood
Red hands of
White collar crimes on
Blue collar backs.
The city
Evokes in me
The cliché,
Which is itself
A cliché
Now
To call
Something a
Cliché.
The city is
The common man –
Home from work,
Covered in filth,
Pours a drink,
Sits down to unwind:
Wound up
From drinking
At the filth
Of Work.
Work.
Work.*
Work.
Work. [1]
(*Driving to Wednesday work
Following a marineairforcearmynavy
Semper fidelis veteran:
I hate his truck,
And bumper labels
(adhesive fables),
And I think all American veterans
Are pathetic,
Because any child
Born under the sun
With a magnifying glass
Can burn ants.
I hate him as he
Leaves, turning
Left under
Leaves that
Left tombstones shadowed.
Living domestic partnerships
With drugstore flags,
The tombstones told tales
Of domestic abuse.
Realization shot,
And now
I hate myself
For hating him.
I hate people
That I barely know.
I hate myself
For writing poetry,
And for thinking
Poetry is art,
And for thinking I’m an artist
Because I say Poetry
Isn’t art,
And for thinking I’m making
An artistic statement
By saying I hate myself
For thinking I’m an artist
Based on my realization
Of thinking I’m an artist
For claiming poetry
Is not art
Ironically
In a poem,
And so on.
But I don’t hate hate.
Love
Is the (square) root
Of all hate.
Hate
Is the product of multiplying
Love against itself,
And fear is a factorial!)
1. Sometimes I happen upon ideas within my head that I think are marvelous, and I instantly sit down to work these ideas out into art, or craftsmanship, or utility, or for no reason but compulsion. But as I get through the work, I realize that the whole idea was fleeting and broken into pieces not fully materialized.
The meat of the work comes out instantly, because it was given to me in insight, in epiphany, and the completion of the rest will rely on a substantial amount of personal energy and commitment. So now the work gets abandoned, neglected, and every return meets me with another layer of dust, until the idea is unrecognizable. I might come back and try to complete it, but it won’t measure up to my original vision.
I don’t know… these are no more than just pixels on a screen, right?
And oh ya: Sartre something or other, blah blah, because hell is…
Weather or Not
This could be a poem, or an essay, or maybe just stream-of-consciousness psychobabble, but most importantly it is words that have been collected in order to communicate a particular message. Yet, don’t focus so much on the words, but focus more on my body language in the telling of them.
Weather or Not
We collect in pockets of binary energy
Grouped like spots on a cow.
Energy dictated by weather
Wound
Around
Words.
Climate conformation – a secular happening
We are to the climate (and other things, like culture, habits, beliefs… But the topic of today is climate, so we shall not digress) as puddles are to conforming the curves of the earth.
Winter weakens willingness to work.
Summer sets a synergistic stage of situations summoned by the sun.
Simultaneously: Melancholy Maine rain
And
Burning Texas rage.
So maybe the blame should be put,
When one does not ‘behave’,
Not on the cast of characters
But on that which sets the stage:
(summary)
Which is environment. We have focused on climate, but this is all really about environment, and as Marshall McLuhan says, “Environments are invisible. Their ground-rules, pervasive structure, and overall patterns elude easy perception.”
Environments are as multifaceted as the organisms that must live in them, and both co-depend on each other for meaning. To break it down simply: if someone appears to be acting a son-of-a-bitch, maybe there are other environmental phenomena factoring into their behavior; or even clouding your perception of their actions…
I’m at the Comma Splice
I started this poem yesterday and finished it this morning. It’s about finishing college and preparing to enter the working world. It goes something like this:
I’m at the comma splice in
Life’s
Run-on-sentence:
Falling from textbooks and chalk,
Crawling toward goodlooks and talk,
Through society’s leatherdark parking lot,
A field of tar,
I yield in car,
Checking dashboard digital
Every five,
Awaiting the ‘open for business,’
Ready for 10,000 tomorrows
Of cell phones
Erupting 7 o’clock seizures
On my magazine massacred bedside,
I fear the predictably punctual
With open arms.